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      <image:title>Sophia 1 | Victor dos Reis</image:title>
      <image:caption>[Fig.5] Francisco Afonso Chaves (1857-1926) Azores Unidentified wood in Azores</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1580396760241-R0TUZQNW0859C8YY16TS/Victor_Reis-Fig10_low.jpg</image:loc>
      <image:title>Sophia 1 | Victor dos Reis</image:title>
      <image:caption>[Fig.6] Francisco Afonso Chaves (1857-1926) Rome 5th April 1913 Inside of a museum</image:caption>
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      <image:title>Sophia 1 | Victor dos Reis</image:title>
      <image:caption>[Fig.4] Francisco Afonso Chaves (1857-1926) France 1920 Picture of three consecutive time points</image:caption>
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      <image:title>Sophia 1 | Victor dos Reis</image:title>
      <image:caption>[Fig.1] Spencer Platt (1970-) Beirut 2006 2007 World Press Photo award</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1580396649729-NEJJ5Q9XA7W4GJJ6E7X9/Victor_Reis-Fig4_low.jpg</image:loc>
      <image:title>Sophia 1 | Victor dos Reis</image:title>
      <image:caption>[Fig.3] Francisco Afonso Chaves (1857-1926) Azores 5th September 1904 Lagoa das Sete Cidades</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1580396602459-454U4TKUV4R1CTCRUI86/Victor_Reis-Fig3_low.jpg</image:loc>
      <image:title>Sophia 1 | Victor dos Reis</image:title>
      <image:caption>[Fig.2] Francisco Afonso Chaves (1857-1926) London 1903 View of a traveller on the first floor of a modern tramway</image:caption>
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      <image:title>Sophia 2</image:title>
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    <loc>https://www.sophiajournal.net/schools/r-and-d-units</loc>
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    <lastmod>2020-02-17</lastmod>
  </url>
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    <loc>https://www.sophiajournal.net/sophia1-wandering-in-a-sea-of-ice-by-eduardo-brito</loc>
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    <lastmod>2020-03-05</lastmod>
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      <image:title>Sophia 1 | Eduardo Brito</image:title>
      <image:caption>[Fig.3] NILS STRINDBERG All at the campsite. Circa July 26th /28th 1897 Self portrait, 1897 Courtesy Gränna Museum, Sweden</image:caption>
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      <image:title>Sophia 1 | Eduardo Brito</image:title>
      <image:caption>[Fig. 1] NILS STRINDBERG Salomon August Andrée Polar Expedition, July 14th 1897 Courtesy Gränna Museum, Sweden</image:caption>
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      <image:title>Sophia 1 | Eduardo Brito</image:title>
      <image:caption>[Fig.2] NILS STRINDBERG All at the campsite. Circa July 26th /28th 1897 Self portrait, 1897 Courtesy Gränna Museum, Sweden</image:caption>
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    <loc>https://www.sophiajournal.net/sophia1-shedding-the-veils-making-room-by-nelio-conceicao</loc>
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    <lastmod>2020-03-05</lastmod>
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      <image:title>Sophia 1 | Nélio Conceição</image:title>
      <image:caption>[Fig.1] Karl Blossfeldt “Blumenbachia hieronymi (Loasaceae)”, 1932, Gelatin silver print 25.9 × 20.8 cm (10 3/16 × 8 3/16 in.) e J. Paul Getty Museum, Los Angeles</image:caption>
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      <image:title>Sophia 1 | Nélio Conceição</image:title>
      <image:caption>[Fig.2] Eugène Atget Rue Cardinale, 1922, Albumen silver print 17.9 × 21.9 cm (7 1/16 × 8 5/8 in.) The J. Paul Getty Museum, Los Angeles</image:caption>
    </image:image>
  </url>
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    <loc>https://www.sophiajournal.net/sophia1-introduction</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2020-03-05</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-2-cril-by-sebastiano-raimondo</loc>
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    <lastmod>2020-03-07</lastmod>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO Ampliação do aeroporto da Portela do Keil do Amaral – CRIL_038</image:caption>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO Torre Monsanto, Mário Sua Kay - CRIL_831</image:caption>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO Edifício ANJE, Álvaro Siza Vieira - CRIL_812</image:caption>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO Hortas Urbanas no bairro do Zambujal- CRIL_889</image:caption>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO Dolce Vita Tejo, Promontórios Arquitectos – CRIL_916</image:caption>
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      <image:caption>SEBASTIANO RAIMONDO Bairro da Portela de Sacavém, Fernando Silva - CRIL_070</image:caption>
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      <image:caption>SEBASTIANO RAIMONDO Alto do Chapeleiro – Janela em rolo, CRIL_056&gt;057&gt;058</image:caption>
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      <image:title>Sophia 2 | CRIL by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO Torre APL, Gonçalo Byrne – CRIL_817</image:caption>
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    <loc>https://www.sophiajournal.net/sophia1-editorial-by-edward-dimendberg</loc>
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    <loc>https://www.sophiajournal.net/sophia-2-mariela</loc>
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    <lastmod>2020-03-07</lastmod>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Ribera del Duero Headquarters Roa, Spain. Barozzi Veiga Architects, 2010</image:caption>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Aguilas 3</image:caption>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Blace Furnace Sagunto, Spain. Gradolí &amp; Sanz, Luis Francisco Herrero Architects, 2011</image:caption>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Escola Gavina in Picanya, València. Arturo Sanz &amp; Carmel Gradolí, Carmen Martínez Gregori architects, 2015 La Pinada House in Valencia, Spain.Ramón Esteve Studio, 2017</image:caption>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Penthouse in Valencia, Spain. DG architect, 2014</image:caption>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Kiefholzstrasse, Berlin, Germany. Marius Schliekmann Architekten, 2014</image:caption>
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      <image:title>Sophia 2 | Architectural photography as a resumption. Reflections on the medium</image:title>
      <image:caption>MARIELA APOLLONIO Espai Rambleta Auditorium, Valencia, Spain. Sanz &amp; Gradolí Arquitects, 2013</image:caption>
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  <url>
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    <lastmod>2020-03-08</lastmod>
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      <image:title>Sophia 3 | A Vernacular of Generic Growth by Kalen McNamara</image:title>
      <image:caption>GAVIN BROWN Synthetic Stucco and Plywood Sign in Alkyd Polymer Paint, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph GAVIN BROWN Bathroom Partitions in Phenolic and Melamine Resin laminate, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph</image:caption>
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      <image:title>Sophia 3 | A Vernacular of Generic Growth by Kalen McNamara</image:title>
      <image:caption>GAVIN BROWN Pigmented, Insulated Glass Laminated with Polyvinyl Butyral, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph</image:caption>
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      <image:title>Sophia 3 | A Vernacular of Generic Growth by Kalen McNamara</image:title>
      <image:caption>GAVIN BROWN Gymnasium Roof with Layered Vapor Barrier, Brick, Foam Extrusions, Steel Decking, Gypsum Board, and Asphalt Paper, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph GAVIN BROWN Distribution Center with Synthetic Stucco over Extruded Polystyrene, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph</image:caption>
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      <image:title>Sophia 3 | A Vernacular of Generic Growth by Kalen McNamara</image:title>
      <image:caption>GAVIN BROWN SUV, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph GAVIN BROWN Car with: Scratch rough Clear Coat, Base Coat, and Primer to Steel Sheeting; Windhshield with Wires Laminated between Green Tinted Safety Glass; Black Vinyl Boarder and Synthetic Rubber Gasket; Interior in Various Plastics and Leather, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph</image:caption>
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      <image:title>Sophia 3 | A Vernacular of Generic Growth by Kalen McNamara</image:title>
      <image:caption>GAVIN BROWN I Gallery Ceiling with Spray Fire Retardant, Variously Finished Steel Lace, And Plastic-Coated Wiring, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph GAVIN BROWN Cosmetics on Laminate Counter Top, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph</image:caption>
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      <image:title>Sophia 3 | A Vernacular of Generic Growth by Kalen McNamara</image:title>
      <image:caption>GAVIN BROWN Steel Space Frame with Polytetrafluoroethylene Membrane, from the series “Our Space is a Mess”, 2017 Houston, Texas; Digital Photograph</image:caption>
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    <lastmod>2020-03-07</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-image-making-after-photoshop-by-pedro-gadanho</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581368385640-GQ98SH9Y4ZCI7OOKOP4X/Bildbau+No+5.jpg</image:loc>
      <image:title>Sophia 4 | Image-Making After Photoshop by Pedro Gadanho</image:title>
      <image:caption>PHILIPP SCHAERER Bildbau No 5 (from the Bildbauten series), 2007. Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044357622-92WBPOIXCG6WG85W4XWL/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.44.49.png</image:loc>
      <image:title>Sophia 4 | Image-Making After Photoshop by Pedro Gadanho</image:title>
      <image:caption>BEATE GÜTSCHOW S#13, 2005 Courtesy of the artist © VG Bild-Kunst Bonn 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581368922172-DQGM12YVX6BFPNDAAOGE/Filip+DUJARDIN+-+Chicago+Shuffle+01+-+2017+.jpg</image:loc>
      <image:title>Sophia 4 | Image-Making After Photoshop by Pedro Gadanho</image:title>
      <image:caption>FILIP DUJARDIN Chicago Shuffle 01, 2017 Courtesy of the artist</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044237957-Q2YGRGY91G06KJLLPDOM/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.44.08.png</image:loc>
      <image:title>Sophia 4 | Image-Making After Photoshop by Pedro Gadanho</image:title>
      <image:caption>BEATE GÜTSCHOW S#14, 2005 Courtesy of the artist © VG Bild-Kunst Bonn 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-2-re-interpreting-kidder-smith-by-angelo-maggi</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581957010038-RE80A751YU82M7R0T1HN/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.30.04.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>Two of the most iconic pictures in Kidder Smith’s volume Italy Builds: a worker’s housing in Naples by Cocchia, De Luca, Della Sala architects and the Cathedral square at Orvieto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581956687747-4C8P1XDT1EQIBWALXFIV/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.24.20.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>G. Cullen’s sketch of Piazza Umberto I in Capri in Italy Builds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581957026293-9ZAICR3MNOHSD696K6EJ/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.30.17.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>G.E. Kidder Smith’s Italy Builds with its double-page spread of the apartment house in Taranto by Monaco and Luccichienti architects.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581956582565-EU9VS99JIOUILOFG3NQC/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.22.36.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>G.E. Kidder Smith’s roof photograph of P.L. Nervi’s Palazzo delle Esposizioni in Turin, 1951.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581956491793-B8ADT7I76RW1BDK5VBT3/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.21.31.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>Kidder Smith in Venice holding his Rolleiflex, 1951.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581956653469-CJ0Z0BZZ17CZ1KWLNFJM/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.24.09.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>G.E. Kidder Smith’s photograph of House of the Vettii in Pompei.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581956279282-X4DM4CRRXAAQH5L0RO2B/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.18.05.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>G.E. Kidder Smith’s volume Italy Builds with its cover designed by Leo Lionni (1955).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581956952064-YQ2FU2RIGTZXYUA79UVX/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.28.16.png</image:loc>
      <image:title>Sophia 2 | Re-interpreting Kidder Smith by Angelo Maggi</image:title>
      <image:caption>G.E. Kidder Smith’s volume Italy Builds with its double-page spread of the levels at the Piazza di Spagna and Trinità dei Monti.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-re-framing-the-public-space-by-inaki-bergera</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-contemporary-discourses-by-pedro-leao-neto</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-visual-technological-enthusiasm-by-haode-sun</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
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      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581434777383-G7T7UWXRY14XPRF84GWV/Figure3.jpg</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
      <image:caption>HAODE SUN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582045118858-MEL138LK7DGIVLEN17U7/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.58.58.png</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
      <image:caption>HAODE SUN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581431012607-IINXN42E41MJGNMODT6M/Figure1.jpg</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581431042337-3SOQ9U6MA2APIC69BHBQ/Figure2.jpg</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
      <image:caption>HAODE SUN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582045160430-WFR1FEMZ71BQ03SJCRHY/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.59.32.png</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
      <image:caption>HAODE SUN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581435179783-XT3JR46E7OSHV1YFIANF/Figure4.jpg</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
      <image:caption>HAODE SUN</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581435552308-7OICI32XWKTJQ72BEO9E/Figure6.jpg</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581435591927-S69VY3KTOJXGFL8PM2ZM/.jpg</image:loc>
      <image:title>Sophia 4 | Visual technological enthusiasm by Haode Sun</image:title>
      <image:caption>HAODE SUN</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
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      <image:title>Sophia 4</image:title>
    </image:image>
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      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
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      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582045456031-LKKK8XK5XA3V2YX1MNOK/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.18.19.png</image:loc>
      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581338866405-GRW3POIZR7YHNAPIA1GV/Figure04.JPG</image:loc>
      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581335571381-2KQZ1UZCAWY1340KWRSI/Beate_Guetschow_HC4-2018_148x115cm_%C2%A9_VG_Bildkunst-795x1024.jpg</image:loc>
      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
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      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581339276753-GHIFARE5SBS3LDW3OIAC/Figure6.jpg</image:loc>
      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
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      <image:title>Sophia 4</image:title>
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      <image:title>Sophia 4</image:title>
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      <image:title>Sophia 4</image:title>
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    <image:image>
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      <image:title>Sophia 4</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581338272920-E0BBJAOO7XCM071V2CES/Figure+3.jpg</image:loc>
      <image:title>Sophia 4</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-editorial-by-inaki-bergera</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-the-invisible-villages-by-ana-amado-and-andres-patino</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044544285-L3C77YGPTENKQ3U5IOKW/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.49.13.png</image:loc>
      <image:title>Sophia 4 | The invisible villages by Ana Amado and Andrés Patiño</image:title>
      <image:caption>ANA AMADO &amp; ANDRÉS PATIÑO Street, from “Colonos”, 2016. S. Isidro de Albatera, Alicante ANA AMADO &amp; ANDRÉS PATIÑO Via Crucis, from “Colonos”, 2016. Villalba de Calatrava, Ciudad Real.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044627468-IG8F0UEKMQSD9HZWLWSI/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.50.30.png</image:loc>
      <image:title>Sophia 4 | The invisible villages by Ana Amado and Andrés Patiño</image:title>
      <image:caption>ANA AMADO &amp; ANDRÉS PATIÑO Village ́s skyline, from “Colonos”, 2018. La Vereda, Córdoba.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044489328-TY0TH1EQ2MJ5BVU2Z2IE/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.48.18.png</image:loc>
      <image:title>Sophia 4 | The invisible villages by Ana Amado and Andrés Patiño</image:title>
      <image:caption>ANA AMADO &amp; ANDRÉS PATIÑO The Girl and the Street, from “Colonos”, 2016. Vegaviana, Cáceres. ANA AMADO &amp; ANDRÉS PATIÑO Housing, from “Colonos”, 2016. Vegaviana, Cáceres.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-hc-by-beate-gutschow</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961696292-MP2CAY4A0600055BK47G/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.47.37.png</image:loc>
      <image:title>Sophia 4 | HC by Beate Gutschow</image:title>
      <image:caption>BEATE GÜTSCHOW HC#5, C-print, 148 x 115 cm from the series “HC”, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961813611-P34I3VG3OX42TCOUJYPL/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.50.14.png</image:loc>
      <image:title>Sophia 4 | HC by Beate Gutschow</image:title>
      <image:caption>BEATE GÜTSCHOW HC#6, C-print, 115 x 153 cm from the series “HC”, 2018 HC#8, C-print, 80 x 64 cm from the series “HC”, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961663152-YY78Y4TUP8SIKRXZ0OSI/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.47.19.png</image:loc>
      <image:title>Sophia 4 | HC by Beate Gutschow</image:title>
      <image:caption>BEATE GÜTSCHOW HC#4, C-print, 148 x 115 cm from the series “HC”, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961762718-6MNEL3EQWPM34XLZ0Z6Y/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.49.09.png</image:loc>
      <image:title>Sophia 4 | HC by Beate Gutschow</image:title>
      <image:caption>BEATE GÜTSCHOW HC#1, C-print, 115 x 153 cm from the series “HC”, 2018</image:caption>
    </image:image>
  </url>
  <url>
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    <lastmod>2020-03-07</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-a-bridge-by-sebastiano-raimondo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
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      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO ”01_031-32” from the series “Uma Ponte”, 2009-2010</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582042936593-KKEH1UZIDIOQVR47IWVZ/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.22.21.png</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “11_206 piece by os gémeos + blu” from the series “Uma Ponte”, 2009-2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581363055946-N3IOCDCWWXXST7ULVG77/05_122+-+sebastiano+raimondo_from+series+%E2%80%9CUma+Ponte%E2%80%9D%2C+2009-2010.jpg</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “05_122“ from the series “Uma Ponte”, 2009-2010</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581362864873-6X7H86627E10PXS2PG6D/11_197+-+sebastiano+raimondo_from+series+%E2%80%9CUma+Ponte%E2%80%9D%2C+2009-2010.jpg</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “11_197” from the series “Uma Ponte”, 2009-2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581360256582-J3C3TQ4I1G523TP6BD2M/02_046+-+sebastiano+raimondo_from+series+%E2%80%9CUma+Ponte%E2%80%9D%2C+2009-2010.jpg</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “02_046” from the series “Uma Ponte”, 2009-2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581360959004-VKH0WI0T2EBRHVRCQRU1/12_229+expo+os+ge%CC%81meos+CCB+-+sebastiano+raimondo_from+series+%E2%80%9CUma+Ponte%E2%80%9D%2C+2009-2010.jpg</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “12_229 expo os gémeos CCB” from the series “Uma Ponte”, 2009-2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582042865193-BJCDX6CPK7J659QGIG0M/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.21.12.png</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “03_084” from the series “Uma Ponte”, 2009-2010</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582043009989-LNH5P5KWMQ4NAXL3ESQ8/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.23.36.png</image:loc>
      <image:title>Sophia 4 | A Bridge by Sebastiano Raimondo</image:title>
      <image:caption>SEBASTIANO RAIMONDO “11_191” from the series “Uma Ponte”, 2009-2010</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-behavioral-mapping-by-apostolos-kyriazis</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582043466279-WTA8IUBMSO8HRGPBAO5S/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.31.12.png</image:loc>
      <image:title>Sophia 4 | Behavioral mapping by Apostolos Kyriazis</image:title>
      <image:caption>APOSTOLOS KYRIAZIS Shamkha Formal park: Camera positioning at an artificial slide hill.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582043625150-EE9YEK23JMKC4NW2TM1S/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.33.47.png</image:loc>
      <image:title>Sophia 4 | Behavioral mapping by Apostolos Kyriazis</image:title>
      <image:caption>APOSTOLOS KYRIAZIS The cultural divide. Shot from behind a wooden playground structure (visible on the photo’s border).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582043852244-06VZWY3Z781V5ZLVKWOD/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.37.28.png</image:loc>
      <image:title>Sophia 4 | Behavioral mapping by Apostolos Kyriazis</image:title>
      <image:caption>APOSTOLOS KYRIAZIS Informal Musaffah through the night. 262 photos stacked (in Starstax) to highlight the passage of time through star trails (Orion is visible on the left half) and car-light trails. An interval of 20’’ between shots led to the fractal look of the clouds. Similar techniques were applied to most of the public spaces assigned. APOSTOLOS KYRIAZIS Two 14 year old friends discover the camera while walking across this informal space at the low/mid-income suburb of Musaffah and try to have some fun with it (while it was still shooting on time-lapse mode). It was a good moment at the end of a hard day, as they were unsuccessfully looking for daily work.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582043393768-32F6P3X08FUAD2URXB7K/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.30.08.png</image:loc>
      <image:title>Sophia 4 | Behavioral mapping by Apostolos Kyriazis</image:title>
      <image:caption>APOSTOLOS KYRIAZIS Map of public spaces in Abu Dhabi, Project: “Redefining Abu Dhabi’s Public Spaces: Urban Classification and Social Interaction”. Formal spaces are in green (sized after their importance) and informal spaces are in red. APOSTOLOS KYRIAZIS Map of the selected public spaces to be studied, Project: “Redefining Abu Dhabi’s Public Spaces: Urban Classification and Social Interaction”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582043810838-14SJFC5SV9AX69YGS7H0/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.36.55.png</image:loc>
      <image:title>Sophia 4 | Behavioral mapping by Apostolos Kyriazis</image:title>
      <image:caption>APOSTOLOS KYRIAZIS One of the formal parks at Khalifa A suburb. The western villa morphology and the plot walls contrast this simple but beautifully designed park. The privacy rules highly shape the urbanscape and the pedestrian flows within the park.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961409469-1QZ7ZTKGY1AJHY5I2X1W/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.03.20.png</image:loc>
      <image:title>Sophia 3</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961385041-4C5ZMAX8SGN5V0U8MPPD/10146268-3x2-940x627.jpg</image:loc>
      <image:title>Sophia 3</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581961338751-4RN28AAULPGC0Z7C45NN/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.41.13.png</image:loc>
      <image:title>Sophia 3</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-brasilia-lyric-and-epic-by-mariana-von-hartenthal</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581422191478-VALZQGZ1QNI8LD9WJHV4/FIGURA+1+032SP-1317-01-086+RGB.jpg</image:loc>
      <image:title>Sophia 4 | Brasília Lyric and Epic by Mariana von Hartenthal</image:title>
      <image:caption>MARIANA W. VON HARTENTHAL Wedding Guests, 1958. © Peter Scheier Instituto Moreira Salles Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044855265-Q5S1CCLUO7NJ8ZS41K10/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.54.20.png</image:loc>
      <image:title>Sophia 4 | Brasília Lyric and Epic by Mariana von Hartenthal</image:title>
      <image:caption>MARIANA W. VON HARTENTHAL W3 Avenue Commercial Area, 1960. © Peter Scheier Instituto Moreira Salles Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044970535-Z8REBKFREA1CJZZTCRA2/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.56.20.png</image:loc>
      <image:title>Sophia 4 | Brasília Lyric and Epic by Mariana von Hartenthal</image:title>
      <image:caption>MARIANA W. VON HARTENTHAL Children near a School, 1960. © Peter Scheier Instituto Moreira Salles Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044804368-KC2XU4T02YB11SIPQPF9/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.53.33.png</image:loc>
      <image:title>Sophia 4 | Brasília Lyric and Epic by Mariana von Hartenthal</image:title>
      <image:caption>MARIANA W. VON HARTENTHAL The Alvorada Palace in Brasília, c. 1959. © Marcel Gautherot Instituto Moreira Salles Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581426039686-CPUWMFU5TQFVTCBE6XD3/FIGURA+5+032SP-1682-25-276+RGB.jpg</image:loc>
      <image:title>Sophia 4 | Brasília Lyric and Epic by Mariana von Hartenthal</image:title>
      <image:caption>MARIANA W. VON HARTENTHAL Brasília’s Metropolitan Cathedral under construction, 1960. © Peter Scheier Instituto Moreira Salles Collection.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581425440642-8D1CWZH9GQQQ7LGFU4B8/FIGURA+3+010DFOG20177+RGB.jpg</image:loc>
      <image:title>Sophia 4 | Brasília Lyric and Epic by Mariana von Hartenthal</image:title>
      <image:caption>MARIANA W. VON HARTENTHAL House in Sacolândia, Brasília, 1959. © Marcel Gautherot Instituto Moreira Salles Collection.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sections</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-03-28</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-about-the-5th-on-the-surface</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-2-narrative-takes-command-by-carlos-machado-moura</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581954411879-2SIP8VI6DE7PI8I0DDL2/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.46.52.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>The Struggle for Housing/La Lotta per la Casa; Utopia; The Mediatory City/La Città Intermedia. Fotoromanzo issues Fotoromanzo — The Struggle for Housing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581953706615-D67LVFR8SS16GXAG720N/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.35.12.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Manplan 1 – Pearly King and Queen by housing estate The Architectural Review, September 1969. Photography by Patrick Ward. Manplan 1 The Architectural Review, October 1969. Photography by Ian Berry.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581006929988-BEZ2ZID16V5KJJDBKJFB/STRUM-Group-utopia-fotoromanzo-pg+02-03.gif</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Fotoromanzo Utopia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581953897119-M2I7DU3BR8LEFIAMG9QG/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.38.27.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Architecture Review campaigns Townscape (AR n. 636, December 1949), Outrage (AR n. 702, June 1955), Manplan (AR n. 872, October 1969) Italy: The New Domestic Landscape exhibition at MoMA Cover of the catalogue (left); Strum’s first project for an installation (right)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581953600247-8CG8Q72ZYHFFRIJUWFH9/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.33.28.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Manplan 1 – unfolding spread The Architectural Review, September 1969. Photography by Patrick Ward. Manplan 1 The Architectural Review, September 1969. Photography by Patrick Ward.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581954595032-57MTL0Y0FUAR3OXUEC3W/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.49.11.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Fotoromanzo — The Mediatory City</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581953519561-7EWM8LDAPPNG9BHBBTBF/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.32.09.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Manplan 1 - Frustration The Architectural Review, September 1969. Photography by Patrick Ward.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581953401155-9ERGEB2YL1RG0RG72X7L/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.29.42.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>MANPLAN ISSUES “Frustration”, Sept. 1969 (Photography: Patrick Ward); “Communication”, Oct. 1969 (Ian Berry); “Industry”, Nov. 1969 (Tim Street-Porter); “Education”, Jan. 1970 (Tom Smith); “Religion”, Mar. 1970 (Peter Baistow); “Health &amp; Welfare”, May 1970 (Ian Berry); “Local Government”, July 1970 (Peter Baistow).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581954559613-YKA207Y5VOCO0CKN0SS9/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+15.48.58.png</image:loc>
      <image:title>Sophia 2 | Narrative Takes Command</image:title>
      <image:caption>Fotoromanzo — Utopia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-3-spatial-tuning-by-campbell-drake</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958519732-A0NG3O35UMI8XUKCN28Y/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.55.06.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>The First Fleet | Piano in the Parlour</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581109213389-CF3IJR6QDEP7AGM2R7BA/fdsf.jpg</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Elizabeth Drake and Vanessa Tomlinson perform Steve Reich’s Piano Phase The Princess Theatre Inversion by Campbell Drake, 2014</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958721294-OKR62JQJ85N6M1YGYX7C/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.58.42.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>The McRobies Waste Recycling Centre, Hobart | Proposed Expansion, Hobart</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581109391210-PVQLZWMCXT2U5NVAASWR/eL6MBha.jpg</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Markiyan Matsekh, Piano for Berkut 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581109491337-1K1HVV9Y47J7VIZ83O82/ludovico-einaudi-performs-in-the-arctic-ocean-greenpeace-designboom-04.jpg</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Ludovico Einaudi, Elegy for the Arctic 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958805569-6C8GYWM4HJ7QSTXTIG6R/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.00.11.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Spatial Tuning McRobies Gully Waste Management Centre, Hobart, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958618657-HGGEMUQWP9BN4FIHH2BY/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.56.56.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Instrumental by Campbell Drake Station, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958863576-G1PDNPUJ7IQ4O01HTEB3/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.01.02.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Audience descending to performance site, Spatial Tuning, Hobart, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958914145-MO3IVBZ1O08RPZ29HF7K/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.02.00.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Spatial Tuning Hobart, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581958421226-GQQ3B4HDJZ0YKAHZH6BE/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+16.53.53.png</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>Elizabeth Drake and Caroline Almonte perform Simeon Ten Holt’s Canto Ostinato Flinders Street Station Ballroom, Duration, Contemporary Site Investigations 2012</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581109018572-WWKZC8HEI5W27CVPNI4T/10146268-3x2-940x627.jpg</image:loc>
      <image:title>Sophia 3 | Spatial Tuning by Campbell Drake</image:title>
      <image:caption>McRobies Gully Waste Management Centre, Hobart, 2016 image courtesy of Alistair Bett</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-3-disintegration-culture-by-andre-castanho</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959281868-SYHVQWL1B7EDRHNXZ9VQ/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.08.07.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Map of the abandoned agricultural parcels in the veiga March 2012. Black marker over inkjet printed orthophotomap.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960158069-JNIPBYO0PL3GZFI87UTM/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.22.38.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Gargabe deposits between the veiga and the waterfront. February 2013 Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960459388-KAZWCZECAXW68HJNVSVF/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.27.29.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Details of walls and roads in the slope. February 2013 Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959689235-HK2C404WP84P6U1Q40I6/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.15.01.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO 13.1. Windmill in the waterfront. 13.2. Windmill in the waterfront. 13.4. Windmill in the waterfront. 13.5. Windmill in the waterfront. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959132051-A8ZHSZ5QESAFITU6P194/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.05.36.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO View over the Atlantic coast. November 2012. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959881906-WNOEQR7F1FD8OZDIPM04/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.18.05.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Approach to a shelter for sargaceiros in the veiga March 2012. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959981617-SCA2HE6Z9FANN54N546L/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.19.48.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Ropes from fisheries in the waterfront April 2012. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960512517-IDJAY0TUCQ5K3JXI4LCI/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.28.40.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Broken mirrors in the slope. February 2017 Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959528271-WJ80RE3X89IRBXEOQSAF/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.12.12.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Jeep in the veiga . January 2014. Scan from 4,5x2cm negative. ANDRÉ CASTANHO Terrain in the veiga after pinewood slash. January 2014. Scan from 4,5x2cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959236309-RVRSE66NY2H4JI0OGCEO/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.07.03.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Bales of hay with hiss in the veiga. February 2013. Scan from 4,5x2 cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959644319-ZJ26TGBTJICOKWO45X85/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.13.56.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO 12.1. Windmill and shelter for sargaceiros in the veiga. 12.2. Windmill and shelter for sargaceiros in the veiga. 12.3. Windmill and shelter for sargaceiros in the veiga. 12.4. Shelter for sargaceiros in the veiga. 12.5. Hiss over parcel in the veiga with windmill. September 2012. Scan from 4,5x2cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960046390-0J7JBC8W34YW62EIQP5V/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.20.54.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Truck in the veiga. February 2017 Scan from 6x6cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960096503-PPQL7ZFQYT0VH3JAGBTF/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.21.37.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Garbage deposit between the veiga and the waterfront, February 2017 Scan from 6x6 negative ANDRÉ CASTANHO Rope from fisheries in the waterfront. February 2017 Scan from 6x6cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959924671-GLYMTWHNZFPRRGJD0M4G/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.18.52.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Carta Militar de 1949 Fonte: Departamento de Geografia do ICS da Universidade do Minho</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960233658-32QXZLTXIFUFYJBH8IDK/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.24.00.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Football field between the veiga and the waterfront, February 2013. Scan from 4,5x2cm negative ANDRÉ CASTANHO Waste water pipe in the veiga. February 2013. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959747968-FTQVNZVL6HVQM6CVW96D/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.15.50.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO 14.1. Shelter for sargaceiros in the veiga. 14.2. Shelter for sargaceiros in the veiga. October 2012. 14.3. Shelter for sargaceiros in the veiga. 14.4. Shelter for sargaceiros in the veiga. February 2013. Scan from 4,5x2cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959399952-X5LLEL40JF247YSFB0GN/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.10.11.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO 8.1.. Bales of hay in the veiga. Februray 2013. 8.2. Bales of hay aligned in the veiga. January 2014.8.3. Bales of hay with hiss in the veiga Scan from 4,5x2cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960324929-5377RZXN4UGW33G9NDLQ/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.25.34.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Farm granite walls in the slope, November 2012. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959011191-QANICZ1QLL1NBOEQ6YUL/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.03.20.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO White horse in the veiga. March 2016 Scan from 4,5x2 cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959337806-LLC7PH1M5UNOLTP4CB69/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.09.02.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO September 2012. 7.1 Path and hiss in the veiga. 7.2. Path and hiss in the veiga. January 2014. 7.3. Path and hiss in the veiga. 7.4. Path and hiss in the veiga. 7.5. Irrigation channel in the veiga. 7.6.Stream passage in the veiga. Scan from 4,5x2cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959463768-D5AFP4F9EJLTMQ9SDY2Q/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.11.08.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO 9.1. Clearing in the pinewood in the veiga. 9.2. Clearing in the pinewood in the veiga. 9.3. Clearing in the pinewood in the veiga. 9.4. Clearing in the pinewood in the veiga. January 2014. Scan from 4,5x2cm negative.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581959799763-MRSENP8003LEOWEUZ1B5/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.16.45.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Shelter for sargaceiros in the veiga September 2012. Scan from 4,5x2cm negative</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581960376545-DLW3JN97O44EJEH5HK1E/Captura+de+ecra%CC%83+2020-02-17%2C+a%CC%80s+17.26.16.png</image:loc>
      <image:title>Sophia 3 | Disintegration Culture by André Castanho</image:title>
      <image:caption>ANDRÉ CASTANHO Crossroads - travessa or quelha - between granite farm walls in the slope. November 2012. Scan from 4,5x2cm negative</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-ringroad-by-bas-princen</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582028700719-ZJKPKJZPQ9LQI98TBPGU/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+12.24.48.png</image:loc>
      <image:title>Sophia 4 | Ringroad by Bas Princen</image:title>
      <image:caption>BAS PRINCEN “The Construction of an Image’ Bas Princen, 2016, AA Publishers BAS PRINCEN Mississippi Delta Outskirt (Train Depot), 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582028869619-EHGHNSFDJJOO02LME7BS/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+12.27.40.png</image:loc>
      <image:title>Sophia 4 | Ringroad by Bas Princen</image:title>
      <image:caption>BAS PRINCEN Superior Court, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581348790035-5GXXBACRV2WA4ZVUIE3J/golden+building+matglass.jpg</image:loc>
      <image:title>Sophia 4 | Ringroad by Bas Princen</image:title>
      <image:caption>BAS PRINCEN Inverted and upside down matt-glass projection: “Ringroad Houston’, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581348942916-FFESBG639RIR0T25QJA7/17+Ringroad+houston+pub+file+24+x+30+400+dpi+adobe+rgb+98.jpg</image:loc>
      <image:title>Sophia 4 | Ringroad by Bas Princen</image:title>
      <image:caption>BAS PRINCEN Ringroad (Houston), 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582028799677-L0GAZYYHE34Z6P47CDP3/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+12.26.22.png</image:loc>
      <image:title>Sophia 4 | Ringroad by Bas Princen</image:title>
      <image:caption>BAS PRINCEN Ennis House, 2005 BAS PRINCEN Reproduction of a A4 reference booklet.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-atlas-interactive-by-cristina-gaston-guirao</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044077754-AF2E5GN3O41N6OMXGFGR/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.41.28.png</image:loc>
      <image:title>Sophia 4 | Atlas Interactive by Cristina Gastón Guirao</image:title>
      <image:caption>CRISTINA GASTÓN GUIRAO Interactive Atlas; https: click.upc.edu/maps/ Capture screen, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581367197229-Z8CEUDGXGA93A4LE2YJ1/Figure-12.jpg</image:loc>
      <image:title>Sophia 4 | Atlas Interactive by Cristina Gastón Guirao</image:title>
      <image:caption>CRISTINA GASTÓN GUIRAO Leo Matiz biography; https: click.upc.edu/maps/ Capture screen, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581366169542-PDSWA6XV2WTPDDD68410/FIgure-01.jpg</image:loc>
      <image:title>Sophia 4 | Atlas Interactive by Cristina Gastón Guirao</image:title>
      <image:caption>CRISTINA GASTÓN GUIRAO Front cover Interactive Atlas. https: click.upc.edu/maps/ Capture screen, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044167140-P5T228OS2QYJN6EIMJ4K/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.42.18.png</image:loc>
      <image:title>Sophia 4 | Atlas Interactive by Cristina Gastón Guirao</image:title>
      <image:caption>CRISTINA GASTÓN GUIRAO Interactive Atlas BG 08; https: click.upc.edu/maps Capture screen, 2019. CRISTINA GASTÓN GUIRAO Comparison between Paul Beer and Leo Matiz photographs on Avianca Building; https: click.upc.edu/maps/. Capture screen, 2019.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582044029917-6IF4US3O5MBR7YSE074O/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.40.35.png</image:loc>
      <image:title>Sophia 4 | Atlas Interactive by Cristina Gastón Guirao</image:title>
      <image:caption>CRISTINA GASTÓN GUIRAO Interactive Atlas; https: click.upc.edu/maps/ Capture screen, 2019.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/ethical-guidelines</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-04</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-3-editorial-by-inaki-bergera</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-07</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-visually-reinventing-architecture-by-katarina-andjelkovic</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581346748649-4V00UNRJ0FCR8YCTXBUR/FIG+8.jpg</image:loc>
      <image:title>Sophia 4 | Visually Reinventing Architecture by Katarina Andjelkovic</image:title>
      <image:caption>KATARINA ANDJELKOVIC Nikola Dobrovic, Serbian Military HQ (The Generalštab building), Belgrade 1963. Photography by author, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581346457798-24TRTX3W87V6QHHNQUC9/FIG+10.jpg</image:loc>
      <image:title>Sophia 4 | Visually Reinventing Architecture by Katarina Andjelkovic</image:title>
      <image:caption>KATARINA ANDJELKOVIC The Generalštab Building: Fragments of the visual image. Dialogue 1. Charcoal with grains and chalk combined with watercolor and ink on paper, 2014-2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582027937725-JGSCMKV5C9XHHIDFT26W/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+12.12.30.png</image:loc>
      <image:title>Sophia 4 | Visually Reinventing Architecture by Katarina Andjelkovic</image:title>
      <image:caption>KATARINA ANDJELKOVIC The Generalštab Building: Fragments of the visual image. Dialogue 2. Charcoal with grains and chalk combined with watercolor and ink on paper, 2014-2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582027873728-CXJW19CN7M408U4JUAHR/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+12.11.05.png</image:loc>
      <image:title>Sophia 4 | Visually Reinventing Architecture by Katarina Andjelkovic</image:title>
      <image:caption>KATARINA ANDJELKOVIC Capturing the consequence of destruction and reconstructing the image of bombing following the compression and prolongation of time. Montage in the film software Adobe Premiere, 2014-2015</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-photocreation-as-a-propeller-by-klauss-borges</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581347695247-LOA7ZK8TQVOXRBVA8D4E/Image+13.jpg</image:loc>
      <image:title>Sophia 4 | Photocreation as a propeller by Klauss Borges</image:title>
      <image:caption>KLAUSS BORGES Dystopian Porto photocreation by the author, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581347308695-FWH2P6RO17VXJQTKM4HR/Image+12.jpg</image:loc>
      <image:title>Sophia 4 | Photocreation as a propeller by Klauss Borges</image:title>
      <image:caption>KLAUSS BORGES Dystopian Porto photocreation by the author, 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-clareira-by-ana-miriam</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582042632332-5O3T4IZKYWDA5YOOHQFW/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.17.18.png</image:loc>
      <image:title>Sophia 4 | Clareira by Ana Miriam</image:title>
      <image:caption>ANA MIRIAM “Clareira: Marcas1”, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581351335758-61KM1S9NSX6RJHVE6P1H/Figure+4_e.JPG</image:loc>
      <image:title>Sophia 4 | Clareira by Ana Miriam</image:title>
      <image:caption>Research diagram: “Clareira“ by Ana Miriam Rebelo</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582042411847-FMRM7WBR5VRBYHGOK5Y5/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.04.45.png</image:loc>
      <image:title>Sophia 4 | Clareira by Ana Miriam</image:title>
      <image:caption>ANA MIRIAM Spreads from: “Clareira: Estar, Não Estar, Passar“, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582042500225-HARY5QVS9JDCX70G97BN/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.14.38.png</image:loc>
      <image:title>Sophia 4 | Clareira by Ana Miriam</image:title>
      <image:caption>ANA MIRIAM Clareira: Anoitecer“, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582042568442-P2YG3X3K57RJQP8JI2DR/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+16.16.19.png</image:loc>
      <image:title>Sophia 4 | Clareira by Ana Miriam</image:title>
      <image:caption>ANA MIRIAM “Clareira: Breve2”, 2018 ANA MIRIAM Page from “Clareira: Ciclo”, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581350914447-5W7RTBTMP4TR3A6OTTUJ/Figure+3_e.JPG</image:loc>
      <image:title>Sophia 4 | Clareira by Ana Miriam</image:title>
      <image:caption>Research diagram: “The Magic of the real” by Ana Miriam Rebelo</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-4-photography-on-architecture-by-paolo-rosselli</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581437956403-4E450RRLGESOQQF3HD8M/_DSC6912_pierr.jpg</image:loc>
      <image:title>Sophia 4 | Photography on Architecture by Paolo Rosselli</image:title>
      <image:caption>PAOLO ROSSELLI Agbar Tower, Barcelona 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582045310492-IIHVJMYYGA3EKNBI9VA8/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+17.01.22.png</image:loc>
      <image:title>Sophia 4 | Photography on Architecture by Paolo Rosselli</image:title>
      <image:caption>PAOLO ROSSELLI Hong Kong, 2005</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582045345100-027QLYJ272DX470L4SUX/Captura+de+ecra%CC%83+2020-02-18%2C+a%CC%80s+17.02.39.png</image:loc>
      <image:title>Sophia 4 | Photography on Architecture by Paolo Rosselli</image:title>
      <image:caption>PAOLO ROSSELLI Eero Saarinen, Chapel MIT Boston, 2013</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-2-rosselli</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581521359709-W2C7JVIK3DENNWLJJVNS/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.26.16.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Asilo Sant Elia, 2003</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581521442345-UB8V228LEV58L9IQGINU/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.26.27.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Barcelona, 2013</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581522771242-M8IPRXGWQD87M8C04PCC/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.27.19.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Villa Savoye, 2003</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581521479700-3HVGSYDD9HN2ALZ9DJAV/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.26.35.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Tokyo, 2006</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581522707315-CHH9UJHR42X3FJ3HMWK9/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.27.05.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Barcelona, 2007</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581521610944-CTPNBGV48M1CD12X807N/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.26.48.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI London, 2005 PAOLO ROSSELLI Milano, 2016</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581522738174-J8IKRIRFQ5LVR9DXTREY/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.27.12.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Shanghai, 2009</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1581522807381-KLUTYK25NMQM0FQCFIIP/Captura+de+ecra%CC%83+2020-02-12%2C+a%CC%80s+15.27.26.png</image:loc>
      <image:title>Sophia 2 | Photography Keeps an Eye on the Photographer</image:title>
      <image:caption>PAOLO ROSSELLI Le Cabanon, 2003</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/published</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-12-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582130664026-KGWRPZ7CRXKPCI5IDEFL/CAPA+1.jpg</image:loc>
      <image:title>Published - Volume 1, Issue 1 | 2016</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582130658786-SMDXUQO1XYZF16K6UIDC/CAPA+2.jpg</image:loc>
      <image:title>Published - Volume 2, Issue 1 | 2017</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582130671345-Z9W27F883MDHN4Y7XOYV/CAPA+3.jpg</image:loc>
      <image:title>Published - Volume 3, Issue 1 | 2018</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582130674038-2VM8YTOMXUUYH0LIK9Q7/CAPA+4.jpg</image:loc>
      <image:title>Published - Volume 4, Issue 1 | 2019</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1582130679643-4PPRP3EDHQEL4KRN5E49/CAPA+5.jpg</image:loc>
      <image:title>Published - Volume 5, Issue 1 | 2020</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1598270500296-5CFN1AGYXUO6R7T5B89E/CAPA+SOPHIA+6.jpg</image:loc>
      <image:title>Published - Volume 6, Issue 1 | 2021 (TO BE PUBLISHED)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-5-introduction</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-07</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-5a</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-19</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-5-editorial</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-07</lastmod>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-5-preserving-heritage-through-new-narratives</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611251238252-XMU8RP9YXF82OMQLGKQ4/FIG+15_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.15] Rooftop terrace. © Authors, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611248124475-LJ9GTBP60FOU2H4QIS5A/FIG+5_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 5]  Part of project book</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611250301195-8LHMKPCIWH426U2WN8B0/FIG+12_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.12]  Zoom Out room (3rd floor).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611248392599-RCO2VK63E1DA0WWKE0V3/FIG+6_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 6] Studies for the Ground floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611250774294-H1IEECXTIBYWIIT6YH2I/FIG+14_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.14] Bunk bed studies (1st and 2nd floor´s).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611251401864-NK2S6DEYYKRZCT02JHYE/FIG+16_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.16]  Photos of details of the Guesthouse (still under construction). © Aleksandra Kosztyla, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611250181836-763GQRRT3O026WRT3K40/FIG+11_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.11] Zoom In room (1st floor).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611246643491-G3KIAHXIKCRWVYQI2V3L/FIG+1_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 1] From left to the right: facade of the building; main entrance; interior furniture of the ground floor; main staircase.  © Arch. Cátia Fernandes, 2018.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611247039585-B7JI7RA6YJE9M73WH6KE/FIG+2_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 2] Pharmaceutical labeled bottles. © Aleksandra Kosztyla, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611250485261-WJWCHPHYPQBXHNPI6SG3/FIG+13_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.13]  Studies to adapt pharmaceutical Bottle into bedside table lamp.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611249419580-3IVD1QE4N4KEHD5TDF5N/FIG+7_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 7]  Studies for the Ground floor.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611247992256-5QE0UW36O4D3AQ8EEOWG/FIG+4_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 4] Diagram with soporific plants, colors and room name´s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611247406851-Q9TK7M6YL63AV0TXP018/FIG+3_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 3] Floor plans.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611249960206-578QK6PGZ0ELADVPPX8J/FIG+10_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.10] Detail of the moodboards.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611249887133-8URHTPC8HFDDQ3OG1SSG/FIG+9_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig.9]  Spiral cast-iron staircase and new overlapping staircase.© Authors, 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611249783541-30MLC4SL8LN52L3DEKRD/FIG+8_opt.jpg</image:loc>
      <image:title>Sophia 5 | PRESERVING HERITAGE THROUGH NEW NARRATIVES</image:title>
      <image:caption>[Fig. 8] Fresco paintings on the ceiling and restauration of the fresco paintings. © Authors, 2020.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-5-the-role-of-architecture-for-an-exhibition-engaging-and-meaningful-aesthetic-experience</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611306613072-60MI3GU6SOWSDLRNWJ4V/Fig.+1_opt.jpeg</image:loc>
      <image:title>Sophia 5 | THE ROLE OF ARCHITECTURE FOR AN EXHIBITION ENGAGING AND MEANINGFUL AESTHETIC EXPERIENCE</image:title>
      <image:caption>[Fig.1] 1:3 model of the Surrealist Gallery’s show Art of this Century, displayed in the exhibition Frederick Kiesler: Life Visions, MAK, Vienna, 2016, © the authors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611306684098-V4A1RHF5GO7CV1H9FXCA/Fig.+2_opt.jpeg</image:loc>
      <image:title>Sophia 5 | THE ROLE OF ARCHITECTURE FOR AN EXHIBITION ENGAGING AND MEANINGFUL AESTHETIC EXPERIENCE</image:title>
      <image:caption>[Fig.2] View of the exhibition Art on Display / Formas de expor 1949–69, with a replica of projects by Franco Albini and Franca Helg, Lisbon, Museu Calouste Gulbenkian, 2019. © Pedro Pina - Museu Calouste Gulbenkian.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611307018895-W2Q0KW54PLBLIT3YODO9/Fig.+3_opt.jpeg</image:loc>
      <image:title>Sophia 5 | THE ROLE OF ARCHITECTURE FOR AN EXHIBITION ENGAGING AND MEANINGFUL AESTHETIC EXPERIENCE</image:title>
      <image:caption>[Fig.3] Lina Bo Bardi, Solar do Unhão, Salvador, Brazil, 1963. © Instituto Lina Bo e P. M. Bardi. Photo: A. Guthmann, 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611307146093-MJO1PGVDIQY816JBIPCR/Fig.+4_opt.jpeg</image:loc>
      <image:title>Sophia 5 | THE ROLE OF ARCHITECTURE FOR AN EXHIBITION ENGAGING AND MEANINGFUL AESTHETIC EXPERIENCE</image:title>
      <image:caption>[Fig.4] View of an installation that invites the visitor to experience the importance of drawing in the design creativity process. Exhibition Manuel Estrada - Where are the ideas born?, MUDE - Museu do Design e da Moda, Lisbon, 2012 © MUDE/Luísa Ferreira.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.sophiajournal.net/sophia-5-the-modern-shelter</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2021-05-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611308086574-KC8BAMO0DE52IRZZ46O9/Fig.1_opt.jpeg</image:loc>
      <image:title>Sophia 5 | The need for Shelter</image:title>
      <image:caption>[Fig.1] Engraving of the cabane rustique by Charles Elsen in Laugier, Marc-Antoine. Essai sur L’Architecture. Paris: Duchesne, 1755, courtesy of Commons.wikimedia.org https://commons.wikimedia.org/wiki/File:Essai_sur_l%27Architecture_-_Frontispiece.jpg in October 9 of 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611308133666-ZM3R7G6RLUBTSGVLSDX3/Fig.2_opt.jpeg</image:loc>
      <image:title>Sophia 5 | The need for Shelter</image:title>
      <image:caption>[Fig.2] Engraving of the cabane rustique by Samuel Wale to Laugier’s essay’s english translation: Essay on Architecture. London: Gray’s Inn, 1755, courtesy of archive.org, accessed at https://archive.org/details/ essayonarchitect00laugrich in October 9 of 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611308175904-Y6PECST2V7RF7UE0VC4H/Fig.3_opt.jpeg</image:loc>
      <image:title>Sophia 5 | The need for Shelter</image:title>
      <image:caption>[Fig.3] Claude-Nicolas Ledoux, L’Abri du Pauvre, in L’Architecture considérée sous le rapport de l’art, des mœurs et de la législation. Paris: H.L.Perroneau, 1804, courtesy of Gallica. bnf.fr, accessed at https://gallica.bnf.fr/ark:/12148/bpt6k5401411f?rk=21459;2 in October 9 of 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5bd2bd50ebfc7f18cd5bd07f/1611308277672-U81SCCJMLMTYLIN2DX7E/image-asset.jpeg</image:loc>
      <image:title>Sophia 5 | The need for Shelter</image:title>
      <image:caption>[Fig.4] Claude-Nicolas Ledoux, perspective of the Cénobie, in L’Architecture considérée sous le rapport de l’art, des mœurs et de la législation. Paris: H.L.Perroneau, 1804, courtesy of Gallica.bnf.fr, accessed at https://gallica.bnf.fr/ark:/12148/ bpt6k5401411f?rk=21459;2 in October 9 of 2020.</image:caption>
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      <image:caption>[Fig. 5] Hans Thyge &amp; Co (2019)</image:caption>
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      <image:caption>[Fig.4] Hans TllygeRaunkjaers private house &amp; design studio (2007), Denmark</image:caption>
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      <image:caption>[Fig.1] Design of Soho sofa for Labofa (2018), Denmark.</image:caption>
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